#PHANTOM OF THE OPERA MASK MAKEUP SERIES#

When they offer suggestions to cure him, he doesn’t bother with it.

It’s like people who surrender to illness. I think he accepts it as part of the guilt of the decision he makes to put his wife through a terrible, horrible procedure. Nowhere in the story does Viserys ask the maesters to cure him, to stop this thing from eating him alive. He knows the weight of being king, the weight of the responsibility, and the toll it can take.įrom the minute of his wife’s funeral, I think Viserys starts to die. It’s not something Viserys craved he just had a sense of duty. The mystery is why so many people crave the Iron Throne. It becomes a physical manifestation of all the infighting and skulduggery, really. So it certainly made sense to me, and I think it was pretty shocking and effective. I watched my dad die of cancer, and it was a very rapid demise. So it went probably more extreme than I had originally imagined it would go. The extremity - Viserys looking so emaciated, how it’s so cancerous, this thing, that it eats into his face - that decision was made more than halfway into the shoot. I said to Miguel Sapochnik, “This would be a good idea for where Viserys ends up.” So I had somewhere in my head that I could map where I was going to get to. I happened to be watching a documentary about one of my favorite artists, Richard Hambleton, and watching his physical decline through cancer, addiction and scoliosis. Very early on, you’re still forming the character, and I knew it was going to come to an end with some kind of transformation, so you’re always looking for references for that. I’m sure somebody will show me a photograph.Īt what point did you figure out what the king’s stages of deterioration would look like? Some people don’t like to watch themselves, and I’m one of those people. I haven’t seen anything beyond Episode 2, really. No, I haven’t, and I’m not sure if I ever will. But “he’s got a strange moral compass of his own,” Matt Smith, who portrays him, said. A Rogue Prince: Daemon Targaryen is an agent of chaos.The actor Paddy Considine discussed the character’s transformation and its meaning. A Man’s Decline: By the eighth episode of the season, Viserys no longer looks like a proud Targaryen king.The Princess and the Queen: Emma D’Arcy and Olivia Cooke, who portray the grown-up versions of Rhaenyra Targaryen and Alicent Hightower, talked about the forces that drive their characters apart - and pull them together.He is still not sure how he landed the role. Playing Kingmaker: Fabien Frankel plays Ser Criston Cole, who got to place the crown on the new King of Westeros’s head.

#PHANTOM OF THE OPERA MASK MAKEUP SERIES#

Therefore, the success of this operation depends on other characters’ good will-in Erik’s case, Christine’s ability to show him compassion and admiration despite his ugliness, and, in Christine’s case, Raoul’s willingness to trust her and take her feelings seriously despite his intense jealousy.Return to Westeros in ‘House of the Dragon’ HBO’s long-awaited “Game of Thrones” prequel series is here. In both cases, removing one’s mask reveals one’s vulnerability. On another occasion, during the masked ball, Christine finally shows Raoul her anguish when she removes her mask. This moment marks a turning point in the narrative, as Christine will remain scarred by the horrifying face she has seen.

The removal of masks occurs at crucial moments in the narrative on one such occasion, overwhelmed by the beauty of the Phantom’s singing, Christine spontaneously decides to disobey Erik’s orders and remove his mask, which causes Erik fear, pain, and anger. Although the mask gives Erik some control over his life, as it allows him to decide when to reveal his real face, it also signals that he has no control over one crucial factor: other people’s reactions. The mask that the “Phantom,” Erik, wears over his face symbolizes his vulnerability and the injustice he suffers from, as he is forced to hide his face because it causes too much horror in other people.

Phantom of the opera mask makeup